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Heritage Materials

Craft · February 2026 · 6 min read

Heritage Materials

The woods, stones and metals behind our Living collection

Home Journal Heritage Materials

A piece of furniture made from American black walnut carries within it the particular character of that tree, that forest, that century. No two boards are alike. This is not imperfection — it is biography.

A piece of furniture made from American black walnut carries within it the particular character of that tree, that forest, that century. No two boards are alike. This is not imperfection — it is biography.

At Magna Mercatus, we are drawn to makers who share this understanding: that material is not merely substrate but meaning. The most enduring objects are those in which the material and the form are inseparable — where you cannot imagine the piece made from anything else.

Wood

The majority of the furniture in our Living collection is made from solid hardwoods rather than engineered alternatives. We favour walnut, oak, ash and cherry — species with long traditions in fine furniture-making — as well as rarer tropical hardwoods where they are sourced from certified sustainable forestry. The grain, the weight, the way a surface wears with use: these are qualities that improve with time rather than diminish.

Stone and Metal

Several pieces in our collection incorporate travertine, marble and bronze — materials that carry geological and historical weight. A travertine top is not simply a surface; it is a cross-section through time, patterned by mineral deposits laid down over millennia. We select stone for character as much as colour, choosing slabs with pronounced natural variation over uniformly processed alternatives.

The Question of Patina

One of the questions we are most often asked is whether patina — the change that materials undergo with age and use — should be preserved or removed. Our position is clear: patina is evidence of a life lived. A bronze that has greened slightly, a leather that has deepened in colour, a wood that has absorbed the oils of many hands — these are not signs of deterioration but of authenticity. We advise our clients accordingly, and we select pieces that will age with grace.

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